主演：汤姆·汉克斯,蒂姆·艾伦,克里斯汀·沙尔,凯文·麦克基德,埃米莉·哈恩,华莱士·肖恩,唐·里克斯,彼德·切尔瑟姆,提摩西·道尔顿,琼·库萨克,罗里·艾伦,罗恩·博蒂塔
导演：史蒂夫·波赛尔
简介：又是一年圣诞节到来，邦妮在摆放着圣诞树的房间里和伙伴们玩耍，玩具们乐得和小主人玩耍，但是三角龙崔茜（克里斯汀·沙尔 Kristen Schaal 配音）似乎对自己不被当作恐龙看待多有不满。少顷，妈妈喊邦妮一起去梅森家过节，邦妮匆匆将伍迪、巴斯光年、雷克斯、崔茜以及新来的天使Kitty猫塞入包中后出发。到了梅森家，邦妮惊讶地发现这个男孩正沉湎于电子游戏中，稍作迟疑后，她便将书包丢到了梅森的玩具房。伍迪他们爬了出来，发现这里仿佛是失落了已久的玩具世界。未过多久，他们进入了一个全部由恐龙战士组成的王国。以恐龙将军（凯文·麦克基德 Kevin McKidd 配音）为首的战士们脑子里只有战斗和侵略，似乎忘记了作为玩具的使命。崔茜她们更被逼迫参加角斗搏杀……
主演：汤姆·汉克斯,琼·库萨克,克里斯汀·沙尔,裘蒂·班森,迈克尔·基顿,蒂姆·艾伦,卡尔·韦瑟斯,约翰·拉森贝格,提摩西·道尔顿,华莱士·肖恩,唐·里克斯,布莱克·克拉克,埃米莉·哈恩
导演：安格斯·麦克莱恩
简介：在一个风雨交加的夜晚，邦妮（艾米丽·哈恩 Emily Hahn 配音）跟随妈妈行驶在漫长的公路上。后备箱内，邦妮的宝贝玩具牛仔胡迪（汤姆·汉克斯 Tom Hanks 配音）、巴斯光年（蒂姆·艾伦 Tim Allen 配音）、杰西（琼·库萨克 Joan Cusack 配音）等围坐在一起看恐怖电影打发无聊时光。突然，汽车意外爆胎，邦妮母女只得在一家名为“好梦”（SleepWell）的汽车旅馆歇脚，等待第二天救援车的到来。夜深人静，玩具们纷纷外出探险，可当他们再聚拢一起的时候，却发现蛋头先生不见了踪影。胡迪他们分头寻找，然而在这一过程中，伙伴们一个个离奇消失。恐怖片的情节变成了现实，而有着幽闭恐惧症的杰西不知不觉肩负起营救伙伴们的重任……
主演：汤姆·汉克斯,蒂姆·艾伦,华莱士·肖恩,科里·伯顿,托尼·考克斯,唐纳德·富利洛夫,埃米莉·哈恩,唐·里克斯,罗里·艾伦,爱丝黛儿·哈里斯,约翰·拉森贝格,马克,A·沃尔什,提摩西·道尔顿,琼·库萨克,雪莉·琳恩,洛丽·理查德森,卡洛斯·阿拉斯拉奇,约翰·齐甘,艾米丽·戴维斯,安迪·费舍尔-普林斯,杰斯·哈梅尔,安格斯·麦克莱恩,丹尼·曼恩,莫娜·马歇尔,Alec,Medlock,泰迪·牛顿,范立美,吉姆·瓦德,克劳福德·威尔森
导演：马克,A·沃尔什,迪兰·布朗
简介：与相濡以沫十几个年头的小主人告别后，胡迪、巴斯光年这群《玩具总动员》的好朋友们来到了新的小主人邦妮（艾米丽·哈恩 Emily Hahn 配音）家中继续他们的快乐生活。这一日，他们正在房间内游戏，可是笨乎乎的恐龙雷克斯（沃伦斯·肖恩 Wallace Shawn 配音）突然出现，搞砸了一切，蛋头先生气急败坏，甚至称它为“搞砸派对的雷克斯”。就在这时，邦妮决定找个玩具去洗澡，躲闪不及的雷克斯被她带入了浴室中。在邦妮的搜索游戏中，雷克斯扮演了一个冰海大恐龙，同时还结识了橡皮鸭、船长这群平常只待在浴室中的新朋友。邦妮走后，浴缸的水渐渐抽空，橡皮鸭们倍感无趣。自称派对之王的雷克斯决定打开水龙头，为新朋友们开一个超级大派对，但是派对却朝着失控的方向发展……
主演：海伦娜·伯翰·卡特,Shirley,Henderson,罗彼·考特拉尼,罗伯·布莱顿,约翰·赫特,汤姆·威尔金森,詹姆斯·柯登,Phoebe,Givron-Taylor,Sam,Lewis
导演：Uwe,Heidsch?tter,Johannes,Weiland
简介：白雪覆盖的森林腹地，温柔的松鼠妈妈（海伦娜·邦汉·卡特 Helena Bonham Carter 配音）为孩子们讲述了关于咕噜牛的传说：可爱的咕噜牛宝宝（Shirley Henderson 配音）试图进入幽暗森林，却被爸爸（罗彼·考特拉尼 Robbie Coltrane 配音）粗暴地抓回。爸爸警告宝宝，幽暗森林内藏着可怕的大恶鼠，一旦遇上恶鼠势必遭到伤害。夜幕降临，雪花纷飞，咕噜牛爸爸沉沉睡去。温暖的洞穴中，小宝宝却无心睡眠。他的好奇心打败了对大恶鼠的恐惧，最终他冒着大雪闯入幽暗森林。神秘的脚印、邪恶的毒蛇、夜间出没的猫头鹰，为止的森林带给小宝宝前所未有的体验……本片根据Julia Donaldson与插画家Axel Scheffler联合创作的同名绘本改编。
主演：Helena,Bonham,Carter,John,Hurt,Robbie,Coltrane,Tom,Wilkinson
导演：马克思·朗,雅各布·舒
简介：幽静广袤的大森林中，松鼠妈妈四处为孩子们寻找坚果。可是天敌逡巡，她和孩子们只得待在窝中。耐不住两个小家伙的央求，松鼠妈妈讲了一个咕噜牛的故事：很久很久以前，有一只善良聪明的小棕鼠（James Corden 配音），他漫步在森林中，结果接连遭到狐狸、猫头鹰和毒蛇的袭击。急中生智，小棕鼠声称要与朋友咕噜牛会面。咕噜牛身形庞大，相貌恐怖，并且特别喜欢吃狐狸、猫头鹰和毒蛇。他的大话吓退了天敌，然而好戏还在后面……本片根据英国作家朱莉娅?唐纳森（Julia Donaldson）以及插画作家阿克塞尔?舍夫勒（Axel Scheffler）的同名原著改编，于圣诞节时在BBC电视频道播放。
主演：麦克·梅尔斯,卡梅隆·迪亚兹,安东尼奥·班德拉斯,克里斯汀·沙尔,狄恩·爱德华兹
导演：加里·特洛斯达勒,许诚毅
简介：又是一年万圣节，史瑞克（迈克·梅尔斯 Mike Myers 配音）和菲奥娜（卡梅隆·迪亚茨 Cameron Diaz 配音）正在训练三个小宝宝费莉西娅、法尔考、弗格斯练习吓人技巧，当史瑞克一家返回家中却发现，驴子（迪恩·爱德华斯 Dean Edwards 配音）、大坏狼（Aron Warner 配音）、三只小猪（Cody Cameron 配音）、姜饼人（康拉德·弗农 Conrad Vernon 配音）、靴猫（安东尼奥·班德拉斯 Antonio Banderas 配音）等好朋友都等在家中，他们跃跃欲试要吓到史瑞克。以吓人为己任的史瑞克自然无所畏惧，他把伙伴们带到了恐怖的杜洛克城堡，在这个阴森恐怖的所在，伙伴们一个接一个讲起了恐怖的故事。谁能够最终吓到史瑞克，成为今年万圣节恐怖故事的赢家呢？
主演：杰克·布莱克,安吉丽娜·朱莉,达斯汀·霍夫曼,塞斯·罗根,兰德尔·杜克·金,丹尼斯·海斯伯特,保罗·谢尔,安东尼·莱昂迪斯,素玛立·蒙塔诺,保罗·沃格特,托德·博格,唐纳德·富利洛夫,大卫·考吉尔,米歇尔·拉夫,伊迪·米尔曼
导演：安东尼·莱昂迪斯
简介：月朗星稀之夜，阿宝（杰克·布莱克 Jack Black 配音）与悍娇虎（安吉丽娜·朱莉 Angelina Jolie 配音）、快螳螂（塞斯·罗根 Seth Rogen 配音）潜入新一届武术大会的博物馆，这里陈列着风暴铁牛侠（Dennis Haysbert 配音）、流星鳄大侠（Anthony Leondis 配音）、雷霆犀牛侠（Paul Scheer 配音）等功夫大师的经典兵器，阿宝为此兴奋不已。当然，这里还有关于苏武三姐妹（Sumalee Montano 配音）的物件。阿宝向朋友们讲述了很久以前的武林故事：当年苏武三姐妹横行中原，她们仅凭一双筷子就挫败了强大的豺狼帝国。当她们从帝国监狱逃脱后，开始图谋联合武林败类称霸全国的计划。为了阻止她们的野心，乌龟大师（Randall Duk Kim 配音）找到了当时功夫了了却醉心名利的风暴铁牛侠、流星鳄大侠和雷...
主演：Tim,Blough,杰里·卡尔顿,Ari,Damasco,Neil,Green,Genna,McAllister,Miss,Prys,Olga,Sanchez,Dan,Vhay
导演：Em,Weinstein
简介：Young, trans Michael returns to his family home in the rural American West. His father takes him on a sultry exploit, striving to connect.
主演：内详
导演：玛缇·迪欧普
简介：Made during confinement, “In My Room” plunges us into the poignant story of a woman at the twilight of her life, through recordings of the director’s deceased grandmother. Living rooms become stages where life is performed. Windows become portals to the lives of others.
主演：李家晴,河胜妍
导演：杨庆熙
简介：從曖昧到相戀，從相擁入眠到獨守愛巢，恩夏與舒羽的感情歷經波折。一場意外，讓舒羽昏迷不醒，原本要負起照顧責任的恩夏，卻因為舒羽父母的不諒解，而無法守候在愛人身旁。獨自活在充滿兩人回憶的世界裡，恩夏該如何度過這個艱難的時刻？
主演：梅丽尔·斯特里普,克里斯·奥多德,雅各布·特伦布莱,鲁丝·内伽
导演：菲利普·亨特,Douglas,Carrigan
简介：梅丽尔·斯特里普、克里斯·奥多德、雅各布·特伦布莱、鲁丝·内伽将为AppleTV+独家制作的地球日动画短片[我们在这里：生活在地球上的注意事项](Here We Are: Notes for Living on Planet Earth，暂译)献声。故事讲述一个早熟的7岁男孩在地球日当天，从他的父母和一个神秘的展览上学到了地球的奇迹。斯特里普担任旁白。这部36分钟的短片根据作家奥利弗·杰弗斯2017年的畅销书改编，由导演菲利普·亨特([阿普克])和Luke Mathen撰写剧本，将于4月17日首播。
主演：刘文杰,木幡龙,姜潮,毕晓晨,王紫硕
导演：武健
简介：就在张霄(刘文杰 饰)事业最春风得意时，他的妻子陈心(王紫硕 饰)突然出走，并提出离婚，还传来一张与陌生男子(姜潮 饰)的亲吻合影为证。气愤的张霄想出了一个荒唐的办法：策划一个假绑架！自己再英雄救美，赢得美人心的同时还能给她个教训！他按照照片的定位来到了大连，找到了自称黑帮传人的日本“侠客”—彪桑(木幡龙 饰)，以及已故大力士“力王”的儿子—“大力”(毕晓晨 饰)。三人组成行动团伙，开始了想当然的“半岛行动”。行动中张霄才发现团队的各种不靠谱，经常把自己置于险境，状况不断，各种窘迫！但糟糕的行动中，爱情似乎又泛起了微光……
主演：马凯,赵菁,张驰,卫立洲,王东,王小溪
导演：曾庆杰
简介：马凯是一名普普通通的剪辑师，他受过专业的电影理论和技术的训练，对电影有着崇高的理想和热爱。不久前他刚刚和搭档为一名高傲自负的青年导演担任新片的剪辑工作，但是马凯无法接受学院派老一套的剪辑方法，于是自作主张加入了几个表达情绪用的空镜头，结果惹来导演的怒骂，命令他们在看片会之前按照剧本按部就班地剪出来。万般无奈，马凯和大雄从头来过，而且连花絮的编辑也需承担，两人只能熬夜工作。次日一早，马凯开车送片，谁知稀里糊涂走错了路。另一边，导演的版本遭到投资方否定，他的组被迫停工。没有责任心的导演将责任推到马凯身上，绝尘离去。失意的马凯在替身女孩小桃鼓励下重拾信心。而就在此关头，马凯经历了一件神奇的事，人生有望剪辑重来……
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：罗伯特·雷德福
导演：MacGillivray,Freeman
简介：Narrated by Academy Award? winner Robert Redford, National Parks Adventure takes audiences on the ultimate off-trail adventure into the nation’s awe-inspiring great outdoors and untamed wilderness. Immersive IMAX? 3D cinematography takes viewers soaring over red rock canyons, hurtling up craggy mountain peaks and into other-worldly realms found within America’s most legendary o...
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